Prof. Maria Lima’s essay “The Choice of Opera for a Revisionist History: Joan Anim-Addo’s Imoinda as a Neo-Slave Narrative” has been accepted for publication in the 2013 volume of Caribbean Languages, Literatures, and Cultures (selected Proceedings of the “Islands-in-between Conference,” Grenada 2011).
Back in March, Prof. Lima participated by Skype in an International Expert Meeting, “Black British Women’s Writing: Where is it now?” Vrije Universiteit, Brussels, Belgium, delivering a position paper titled “Why Black British?”